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Praetorius combines the techniques of the classical tricinia tradition with that of the motet
painters and filmmakers have for centuries been dealing with the subject and I found it high time to set the famous words to music
and it is derived from the European ‘Contradanza’ (see under Aniceto Rondón) which was infl uenced by African traditions and became known the Creole Cuban Dance or Habanera
The edition has a solo recorder part and a bass part with figures
Polonaise Friedhelm Rentzsch Praetorius combines the techniques of
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